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FL Studio is the most complete virtual studio currently
available. It will play any sample file (wav), generator
(softsynth), VSTi & DXi) or midi instrument you feed it.
Image Line has released FL Studio 8, the complete music
production environment.

Representing the culmination of more than 10 years of
sustained development, FL Studio 8 is now the most flexible
virtual music studio in the industry.

Chief Software Architect, Didier Dambrin has realized his
vision of creating an open-architecture virtual studio
environment where the only constraint on the users is their
own imagination. This philosophy is reflected in FL Studio
8's flexible audio and control data routing, free-form
Playlist design and interoperability with industry
standards (VST/VSTi/VST2, DXi, DXi2, Buzz, ReWire, MIDI,
MP3, WAV, OGG). Didier notes "We don't try to protect our
data & come up with new formats only for marketing reasons.
We use existing standards as much as possible, and allow FL
Studio to be used as a plugin in other hosts". In version
8, particular emphasis has been given to improved workflow
through enhanced interface design, so that ideas can be
crystallized and creativity captured.

What is FL8?

FL Studio is a fully featured, open-architecture music
creation and production environment for PC. No extra
software is required to produce any style of music, as a
complete kit of instruments and studio tools is included in
the cost of the package. With the included plugins, sounds
and tools the user can create complete songs, backing
tracks, loops or sizzling beats. Completed songs can be
saved to WAV, MP3, OGG, MIDI,
ZIP or the native project format (.FLP).


Instruments

Make virtually any sound. FL8 includes 29 virtual synthesizers covering acoustic/synthetic bass, electric guitar and plucked string simulation, sampler tools including piano, general sample playback, and beat-slicing, and a range of synthesis techniques (subtractive, modelling, FM, granular and additive). With FL Studios newest addition, FL Synthmaker - a fully modular environment, you can now create & share your own FL instruments, effects & dashboards without the need to write basic code.

Audio Recording & Editing

Capture audio from a single vocalist or a full symphony orchestra. FL8 can record up to 64 simultaneous tracks of audio. The Playlist workspace can contain an unlimited number of audio tracks and allows you to arrange discrete audio events in any order or position the creative process dictates with complete flexibility. Audio tools allow the user to time-stretch, pitch-shift, beat-slice, chop, edit and creatively destruct audio. FL8 audio editing is further enhanced with Edison, the recording wave editor. Edison is a fully integrated audio editing and recording tool with spectral analysis, convolution reverb, loop-recording, loop-construction tools and more…

FL Studio imports/exports WAV, MP3 and OGG formats.

Sequencing

Record musical performances and ideas in the most logical way. FL8 functions as both a pattern and track based sequencer, depending on user preferences. Tools include an unlimited track Step-sequencer, an industry-leading Piano Roll and Automation Clips. FL Studio supports MIDI and input from all standard Controllers.

FL8 is the fastest way from your brain to your speakers.

Arranging

Determine your own project design. In FL8, you decide how your project will be laid out. Unlike the competition, FL8's Playlist is a totally flexible and virtually unbounded space where Note Pattern, Audio and Automation data can be arranged and edited to suit your creative ideas and preferred workflow.

Mixing/Mastering

The most powerful mixer in its class. FL8 includes an industry-leading 64 stereo track mixer. Each track can hold a stack of 8 effects (VST, DX or FL) and, if desired, be routed to any of the other 64 tracks or one of 4 dedicated 'send' channels. The 44 included effects plugins span - Maximization, Limiting, Compression, Delay, Distortion, Equalization (graphic & parametriuc), Filtering, Phasing, Flanging, Chorus, Vocoding and Reverb. These will take you from the creative broad-brush effects like reverb, through to the minutia of the mastering process with multiband compression/limiting and parametric EQ.

Lifetime free updates

Registered FL Studio users who purchase the download edition of the program receive lifetime free updates to the level of the program they buy (Express, Fruity, Producer or XXL edition). For example, all FL Studio 7 customers will be able to download FL Studio 9, 10 ... for free. Boxed edition users can purchase lifetime free updates for a nominal fee.

1. Install
2. Use the included patch
3. Select the "FL.exe" located in C:\Program Files\Image-Line\FL Studio 8\
4. You're done.

Size : 98MB

Propellerhead Reason 4 (ISO)
2.1 GB DVD

--Image of DVD this was ripped from (w/serial number clearly printed on it) is included

--100% working crack









Combines powerful new Reason units with faster, easier production for the ultimate music-making software experience.

Stronger, swifter, and smoother to work with, Reason 4 music production software will alter the way you create your music. It comes in the familiar shape of a classic studio rack, packed with all the gear you could possibly need: samplers, analog synths, graintable synth, vocoder, mixer, step-time drum machine, arpeggiator, compressors, EQ, and effects. A realtime multitrack sequencer provides full control over every detail, letting you create and edit your music quickly and intuitively. Reason 4.0 also has a massive sound bank full of sounds, loops, and patches for all possible styles of music. The devices and features added to Reason 4 software will not only inspire you to produce great tracks, they will provide you with new ways of doing so.

Sequencer
Dedicated to turning your ideas into great music, Reason 4's sequencer is swifter, stronger, and more intuitive than ever with a whole new look, tons of fresh features and a completely new way of handling sequencer data. The key word here is workflow. A sequencer device or instrument now gets its own dedicated track, with separate lanes for note, performance, and automation data, opting for a better overview and less clutter. All sequencer data-notes, automation, the works-is now housed in clips, musical building blocks that can be opened, sliced, or moved. When a clip is moved to a new location, all its internal data follows right along with it, ending up exactly where you intended for safe, speedy sequencing. The Tool window is an ever-present floating window that provides lightning fast access to those detailed editing functions you use all the time; quantize, transpose, note velocity, note length, and legato.

RG-8 Arpeggiator
Reason 4 ships with RPG-8, a unit dedicated to the art of arpeggiation. Some arpeggiators are quite content with simply transforming chords into wandering, rhythmic melody lines. The RPG-8 monophonic arpeggiator isn't. With a range of on-panel controls and mode selectors, a pattern section for muting selected notes in an arpeggio, and a large display showing values and positions, this device gives you full creative control over your arpeggios.

Although very hands-on and user friendly, the RPG-8 boasts some very advanced features under the surface that will change how you play Reason's instruments. The Single Note Repeat function engages the arpeggiator only when two or more simultaneous notes are held down-letting you add sudden bursts of arpeggio to your melody lines. The Manual mode will arpeggiate notes strictly in the order they were input, for realtime arpeggio control. Try arpeggiating your breakbeats, orchestra samples, or ReCycled vocals for more dramatic flair.

ReGroove Mixer
If you want your tracks to flow with a less rigid, less programmed feel, a regular shuffle control just doesn't cut it. The ReGroove mixer, Reason 4's real-time groove management device gives you more than just a set of sequencer swing parameters, you can apply its timing magic nondestructively, giving you freedom to adjust its settings and fine-tune your groove as your music is playing.

Lock all your tracks together into one unified feel, or apply different settings to up to 32 musical elements in your song for ultimate control. Each of the groove channels features controls for groove amount, slide, and shuffle, plus more detailed settings. The Reason 4 sound bank comes with a great selection of groove patches, many of them created from analyzed recordings of real musicians, as well as classic groovy tracks.

Thor Polysonic Synthesizer
Thor has the amazing ability to sound like every synthesizer imaginable and like none you've ever heard before too. Where other synths use one specific form of synthesis and one single filter, the Thor polysonic synthesizer features six different oscillator types and four unique filters. This gives you an unstoppable monster of a sound generator that utilizes synthesizer technology from the last 40 years.

Six open filter and oscillator slots let you load up three different synth filters and three separate oscillators simultaneously, allowing you to dial in synth sounds that are completely original. An all-powerful modulation matrix gives you complete control over your signal flow, letting you modulate anything within Thor with anything within Thor.

At the bottom of this synth sits an analog style step sequencer with more than one twist. Being every bit as modular as the rest of Thor's components, this step sequencer does more than just play melodies. It can be used as a modulation tool, to trigger phrases from specific keys, create intense arpeggios, and generate piercing percussion lines. With its unique selection of oscillator types and synth filters, the Thor polysonic synthesizer is a veritable synth museum. It may have one foot in history, but its sound is pure future.

Localization
When you install Reason 4, you can now choose between four different language versions: English, French, German, or Japanese. The entire application, from installer to menus and help files, will speak the chosen language.

Factory Sound Bank
Reason 4 wouldn't be a true Reason product without its huge Factory Sound Bank. The Sound Bank holds patches for all devices in Reason to help you get going instantly including Thor patches; more Combinator patches, including arpeggio-driven patches using the RPG-8 arpeggiator; groove files for ReGroove; new ReDrum drum patches; and song starters.

Signature patches
Having the best sounding synth on earth is a lot more fun if you have a set of great patches to play with. Propellerhead invited some of the world's leading synthesists and sound developers to add their own Thor patches to the Reason Sound Bank, including Daniel Wang, Morgan Geist, Pascal Gabriel, Plaid, Richard Barbieri, Richard Devine, Sonic Boom, Tipper, Two Lone Swordsmen, Gordon Reid, and Vengeance.

Tool Window
The new Tools Window is a floating window containing all your most frequently used tools. With it, you can create new devices by choosing from a device palette, fine tune your sequencer data from the Tools pane, or set groove parameters using the groove pane. The device palette lets you drag and drop instruments and effects directly to the rack, placing them just where you want them. The Tools pane contains all of Reason's sequencer editing tools, allowing for quick access to everything from quantization to vector automation cleanup and legato adjustments. When you hit a channel's Edit button in the ReGroove mixer, the selected groove's parameters show up here for instant editing. It's also where you can save your own groove files.

Combinator and NN-XT updates
If you're into making your own sounds, the Combinator and NN-XT devices have both had minor revisions to make programming patches easier and more powerful.

The Combinator now has a function that transposes notes sent to a device which is very handy to create splits. Other additions include performance data filters to stop certain types of data from being sent to a device, more flexible choice of sources in the programmer, and a function to automate the receive notes option, making it possible to switch between instruments in a Combinator patch.

The NN-XT has been given features to edit multiple samples simultaneously, to chromatically auto-map samples, and a Group Mono function to let samples play polyphonically, but still be silenced by other samples in the same sample group.

Propellerhead REASON 4.0 Music Production Software Specifications:
Windows:
Windows XP or Vista
Processor: Intel P4 / AMD Athlon XP or better
Memory: 512 MB RAM minimum, 1 GB recommended
Screen resolution: 1024x768
2 GB free hard disk space
DVD reader
16-bit windows compatible audio card, preferably with DirectX or ASIO drivers
Recommended: MIDI keyboard with built-in MIDI interface, or MIDI keyboard and MIDI interface

Mac OS:
Mac OS X 10.4
Processor: G4 1GHz and up or Intel Mac
Memory: 512 MB RAM minimum, 1 GB recommended
Screen resolution: 1024x768
2 GB free hard disk space
DVD reader
Recommended: MIDI keyboard with built-in MIDI interface, or MIDI keyboard and MIDI interface

Propellerhead REASON 4.0 Music Production Software Features:
Sound Modules
Thor Polysonic Synthesizer
NN19 basic sampler
NN-XT advanced sampler
Malstrom granular synthesizer
Dr. Rex loop player
Redrum pattern-based drum machine
Subtractor analog subtractive synthesizer
Combinator unit for building chains of instruments, effects, and pattern sequencers.

Effects units
RV-7 digital reverb
DDL-1 digital delay line
D-11 foldback distortion
ECF-42 envelope-controlled filter
DF-101 chorus/flanger
PH-90 phaser
COMP-01 compressor
PEQ2 2-band EQ
RV7000 advanced reverb
Scream 4 Sound Destruction Unit
BV512 vocoder with 4 to 512 bands and equalization
UN16 unison

Sequencer, Mixer, and Utility modules
RPG-8 Monophonic Arpeggiator
ReGroove Mixer real-time groove console
Matrix pattern-based sequencer
Fully featured high precision multitrack sequencer
14 x 2 mixer w/ EQ and effects send/return
6:2 channel stereo line mixer
Spider Audio Merger & Splitter
Spider Control Voltage Merger & Splitter
Remote mapping to external MIDI controllers and hardware control surfaces
Enhanced browser for searching, previewing, and loading sounds and patches

Mastering Tools
4-band, professional level mastering EQ
Stereo imager control with independent high and low band control
Stereo compressor with sidechain input, soft-knee mode and CV out
Loudness maximizer with switchable look-ahead and soft clip controls

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Akai VST Effects Bundle



The Rotator is a VST plug-in that uses modeling technology to accurately reproduce the sound of a rotating speaker. Such speakers (also known as "Leslies" after the company who manufactured them) are widely used with organs to give a more animated sound and the "speaker" is commonly associated with the Hammond organ.
Basically, baffles in the cabinet are spun around on motors and this has the effect of (literally) throwing the sound around to create a rich stereo effect. As the baffles move, not only does the sound move but, due to the Doppler effect (the phenomena that causes ambulance sirens to change pitch as they drive past), a subtle pitch shift is also achieved.
The result is a thick, stereo chorus sound that has been an integral component in many prog rock, gospel and other classic organ sounds. It cannot be reproduced using simple chorus units and other attempts at recreating this unique sound in musical history have been nothing more than simple autopan effects. Until now...



The DC Vocoder is a high quality 50-band vocoder that offers outstanding intelligibility. The top panel allows you to set the levels for the incoming signals and the overall output level. The Formant control allows you to 'gender-bend' the output - higher settings sound more feminine; lower settings sound more masculine.
The Spectrum Analyzer panel shows the frequency spectrum of the signal which, in conjunction with the 50-band graphic equalizer panel below, allows you to radically alter the tonal balance of the vocoded signal. With the graphic equalizer panel, you can create an almost infinite number of vocoder sounds.
The bottom panel is actually a simple built-in, 6-voice synthesizer that can be used as a carrier signal to be vocoded. This synth can be used as a 'drone' with pitches for each of the six voices set using the keyboard graphic. However, the synthesizer can also be played in real-time using MIDI. It is also possible to use external audio sources as the carrier signal.
The DC Vocoder is not just 'another vocoder' - it represents the culmination and perfection of vocoding techniques from the early, pioneering years of electronic signal processing to the present day.



The DecaBuddy is a multi-channel harmony generator capable of taking a monophonic audio signal and generating up to 4 harmony voices plus a unison voice that can track the audio input. Harmonies can be pre-programmed or, more conveniently, can be "played" via MIDI.
The various controls allow you affect the tone of the harmony voices. Random introduces a random delay in each of the voices. Formant allows you to "gender bend" the harmony making it more feminine or masculine. For really precise harmonies, the harmony voices can be quantized and each voice may be panned and mixed. To thicken the sound up, the Dual function creates a stereo harmony voice.



The Pitchright takes incoming audio and retunes it so that the output is perfectly in tune. It can be applied to vocals or just about any audio source that needs pitch correction.
If the performance is generally satisfactory, you can select which notes will be processed and brought into tune using the keyboard graphic shown on the left of the panel - by clicking on notes on the keyboard, you can select which notes will and will not be processed. You can also use a series of preset scales to assist with this and given the real-time performance of the processor, you can switch between these "on-the-fly" using either the panel switches or "hotkeys" on your Mac/PC keyboard.
The Ratio, Smoothing and Calibrate parameters allow you to control how the pitch correction will be applied and the effect can be anything from subtle to robotic. The effect can be temporarily disabled using the Inhibit key.



While it is possible to use an ordinary compressor for tightening up and adding punch to a stereo mix, it is very common that low frequencies can cause "pumping" effects on the overall signal. However, by splitting the signal into 4 different frequency bands, each frequency region can be separately processed. This is achieved on the QuadComp using a series of crossover filters. These filters are constructed as linear phase FIR filters in order to produce a signal path which is perfectly free of phase errors.
At the top of the panel, you can set the crossover frequencies for the 4 bands. Each band has controls for Threshold, Ratio, Attack and Release and as these are adjusted, so the compression curve is shown graphically. The Gain control allows you to compensate for level changes that may occur.

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